Other main supports: Kader Khan as Dad, Reema Lagoo as Mum and Laxmikant Berde as servant are also very good.
Madhuri Dixit also is always solid and has an acting range many other women of the period often lacked. Salman was young and innocent in this period and Sanjay makes a very convincing poetic soul rather than the action or comedic Sanjay often of later years. Both Salman and Sanjay are young and cute, albeit in their mullet hairdos of its 1991 era. The script was a little better than usual and the actors very strong. The other cares little for work and is absorbed in his womanizing before he is smitten by the girl and wants to change his life. He buries himself in fathers building work and is secretly a great published poet- writing under an assumed name, who the girl (Madhuri Dixit) is a great fan of and performs dances to his poems. The cripple is rejected by women and also avoids relationships expecting rejection. One (Salman Khan) protected and befriended the other (Sanjay Dutt) an orphaned cripple, and then the latter was adopted by the others decent family and brought up as an equal brother. We have the added dimension that these are 2 decent men who have been friends since childhood.
However this one is a cut above many others. However no-one asks the girl her position. We have a triangle of 2 pseudo-brothers who both fall in love with the same girl unknown to each other. The plot of this movie is so familiar in Bollywood it could almost be a genre in itself.
0 kommentar(er)
