No surprise, then, that media composers enjoy the ability to load up a sizeable template, which might include everything from a symphony orchestra to a bank of soft synths and more, while their composition-based DAW might talk to it. Many might question why there is a need to do this and this really depends on how you use your system and how often you might switch songs or projects. Firstly, it can be used alongside a DAW on the same machine. In essence, Vienna Ensemble Pro 7 is a host package for plug-ins, but it can be considered a beast with many heads. It was not uncommon to see professionals with up to eight PCs (it was a PC-only package!) being deployed to host those millions of samples, but in 2008, the GigaSampler package was discontinued, and this is where Vienna Ensemble stepped firmly into the breach. I tried somewhat successfully to use EXS24 in Logic for this purpose, which quickly became the poor cousin to the Hollywood industry standard of the GigaSampler package, developed by Tascam. And, once you've got your template up and running, you can then, finally, concentrate less on the technology and focus more on composing your music.As many of us can recall, it was difficult to run that many samples on a single computer in 2002. So whether you're creating music for games, TV, film or live performance, you will know that your personal orchestra is standing by, ready to go, awaiting every wave of your virtual baton!Ĭompleting this course gives you the knowledge and confidence you need to setup the orchestral template that you've always dreamed of. And, once you've got your template up and running, you can then, finally, concentrate less on the technology and focus more on composing your music.
Finally, this course concludes with an important section explaining how to setup orchestral slave systems, which in the world of scoring, is the solution of choice to harness the power needed to achieve the ultimate MIDI orchestral solution.Ĭompleting this course gives you the knowledge and confidence you need to setup the orchestral template that you've always dreamed of. Next, you learn all about the power of Vienna Ensemble Pro and how it'll become the center of your MIDI orchestra universe.
With that knowledge well in hand, Peter gives you all the tools and tips you need to construct an orchestral template that'll work perfectly with your specific hardware and software. Then, Peter dives into the plugins, including East West, Native Instruments and more, explaining the ins and outs of multi-timbral and multi-output setups.
You learn about sampling technology and how it works, as well as how to optimize your hardware (and software) to get the most out of your MIDI orchestra. As a follow-up to Peter's popular "Enhancing Realism" course, "Designing Templates" shows you everything you need to know to construct your own orchestral templates.
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